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clipped from www.reuters.com

Food riots which have struck several impoverished countries could spread with shortages and high prices set to continue for some time, the head of the United Nation's Food and Agriculture Organization (FAO) said.

A combination of high oil and fuel prices, rising demand for food in a wealthier Asia, the use of farmland and crops for biofuels, bad weather and speculation on futures markets have pushed up food prices, prompting violent protests in a handful of poor states.

Jacques Diouf, director general of the Rome-based FAO, said on Wednesday during a trip to India that there was a growing risk of social instability in countries where families spent more than half their income on food.

"This is due to higher demand from countries like India, China, where GDP grows at 8-10 percent and the increase in income is going to food," Diouf said after meeting India's farm minister, Sharad Pawar.

clipped from www.onthemedia.org

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The fonts that presidential candidates select for their campaign logos reflect an important act of political branding. Sam Berlow of The Font Bureau Inc. says the logos all speak volumes about the candidates they represent.

The Bush/Cheney was great. It just had that incredible NASCAR feel with the slanted sans serif saying, "We're going really fast. Hang on." If you look at Hillary’s campaign, it’s really a throwback to Reagan and Bush. It has that feeling of old typography from the '70s and '80s. It’s serif. It’s sort of highwaisted, as if the lower case, the pants had been pulled up too high. It feels sort of like a bad Talbots suit. Doesn't quite fit right.

Well, there are several oddities about the Huckabee design. The six stars that sort of floating down like snowflakes are a bit odd, and the swash that reminds me of Coca-Cola. And then there’s this yellow element in the type.

clipped from web.media.mit.edu

Cherry Blossoms is a backpack that uses a small microcontroller and a GPS unit. Recent news of bombings in Iraq are downloaded to the unit every night, and their relative location to the center of the city are superimposed on a map of Boston. If the wearer walks in a space in Boston that correlates to a site of violence in Baghdad, the backpack detonates and releases a compressed air cloud of confetti, looking for all the world like smoke and shrapnel. Each piece of confetti is inscribed with the name of a civilian who died in the war, and the circumstances of their death.

Alyssa Wright began working on Cherry Blossoms last semester, wondering how to think about — and feel about — the civilian war deaths in Baghdad. Alyssa’s genius was in sacrificing herself. After all, it’s not an easy piece to perform. You don’t know when it’s going to blow. It’s shocking and loud, and one has no sense of how others will react. Of course, she won’t get hurt by the compressed air, but she might well be confused for a suicide bomber (or, more appropriately, a mooninite) and arrested.